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ceramic engineering --- installations [visual works] --- ceramics [object genre] --- Funk --- vases --- books --- mascarons --- Art Informel --- Applied arts. Arts and crafts --- eroticism --- anno 2000-2099 --- anno 1900-1999 --- 738.038 --- 738.039 --- Kunst en keramiek ; 20ste en 21ste eeuw --- Tentoonstellingscatalogi ; Maastricht ; Bonnefantenmuseum --- Beeldhouwkunst ; materialen ; keramiek --- kunst --- Schütte Thomas --- Sahal Elsa --- Ontani Luigi --- Kristalova Klara --- Ikemura Leiko --- Creten Johan --- Tàpies Antoni --- Chillida Eduardo --- Bock Katinka --- Funk art --- Sodeisha --- 738 --- 73.036/039 --- Teatrini --- maskers --- Verenigde Staten --- Japan --- Italië --- Frankrijk --- beeldhouwkunst --- negentiende eeuw --- eenentwintigste eeuw --- twintigste eeuw --- kunst en keramiek --- keramiek --- Keramiek ; 1950 - 2000 --- Keramiek ; 2000 - 2050 --- Exhibitions --- MAD-faculty 16 --- keramiek: kunstenaars --- tentoonstellingscatalogus --- studio ceramics --- cobra
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Comme son nom l’indique, la sculpture hyperréaliste cherche à imiter les formes, les contours et les textures du corps humain afin d’en offrir une illusion parfaite. Grâce à la précision technique mise au service de la reproduction fidèle du moindre détail, nous avons le sentiment de nous trouver en présence d’une réplique exacte de la réalité.En sculpture, l’hyperréalisme voit le jour dans les années 1960 en réaction à l’esthétique dominante de l’art abstrait, à l’instar du Pop Art et du photoréalisme. Aux États-Unis, où le mouvement est apparu en premier, des artistes tels que Duane Hanson, John DeAndrea et George Segal se tournent vers une représentation réaliste du corps, une voie considérée depuis longtemps comme désuète et dépassée. En utilisant des techniques traditionnelles telles que le modelage, le moulage et l’application polychrome de peinture à la surface de leurs sculptures, ces pionniers vont créer une imagerie humaine saisissante de vérisme. Les générations suivantes d'artistes vont poursuivre dans cette voie, tout en développant leur propre langage.
kunst --- Wurm Erwin --- Veilhan Xavier --- Uddenberg Anna --- Sijan Marc --- Segal George --- Santissimi --- Salmon Jamie --- Ramos Mel --- Puckey Thom --- Piccinini Patricia --- Penny Evan --- Mueck Ron --- Mérelle Fabien --- McCarthy Paul --- Matelli Tony --- Land Peter --- Kuebler Tom --- Jones Allen --- Jinks Sam --- Ter Heijne Mathilde --- Hiro Kazu --- Hanson Duane --- Graham Robert --- Glaser/Kunz --- Feuerman Carole A --- De Bruyckere Berlinde --- Deandra John --- Booth Craig Brian --- Cattelan Maurizio --- Basheski Zharko --- 73.036/039 --- 7.038/039 --- beeldhouwkunst --- hyperrealisme --- twintigste eeuw --- eenentwintigste eeuw --- Exhibitions --- Photo-realism --- Realism in art --- Art, Modern --- Sculpture, Modern --- Nude in art --- Human figure in art --- Hyperréalisme --- Réalisme (Art) --- Art --- Sculpture --- Nu --- Corps humain dans l'art --- History --- Expositions --- Histoire --- Exhibitions.
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This monumental, richly illustrated volume from ZKM Karlsruhe approaches modern sculpture from a spatial perspective, interpreting it though contour, emptiness, and levitation rather than the conventional categories of unbroken volume, mass, and gravity. It examines works by dozens of twentieth- and twenty-first-century artists, including Hans Arp, Marcel Duchamp, Henry Moore, Barbara Hepworth, Lygia Clark, Anish Kapoor, Olafur Eliasson, Ana Mendieta, Fujiko Nakaya, Tomás Saraceno, and Alicja Kwade. The large-scale book contains over 800 color images. 'Negative Space' comes out of an epic exhibition at ZKM, and volume editor Peter Weibel (Chairman and CEO of ZKM) takes a curatorial approach to the topic. The last exhibition to deal comprehensively with the question "What is modern sculpture?" was at the Centre Georges Pompidou in 1986. Weibel and ZKM pick up where the Pompidou left off, examining sculptures not as figurative, solid, and self-contained monoliths but in terms of open and hollow spaces; reflection, light, shadow; innovative materials; data; and the moving image. Weibel puts advances in science, architecture, and mathematics in the context of avant-garde sensibilities to show how modern sculpture significantly deviates from the work of the past. Texts in the volume include an introduction and twelve chapters written by Weibel with contributions by cocurators as well as facsimiles and reproductions of artist-authored manifestos.
Sculpture --- mirrors --- sculpture [visual works] --- shade [light-related concept] --- contour --- negative space --- Kinetic [style] --- light art --- reflection [action] --- linear forms --- virtual reality --- planar --- anno 1900-1999 --- anno 2000-2099 --- installations [visual works] --- Sculpture, Modern --- Art, Modern --- Space (Art) --- kunst --- leegte --- ruimtelijkheid --- ruimte --- kunsttheorie --- 73.036/039 --- 7.036/039 --- eenentwintigste eeuw --- twintigste eeuw --- installaties --- beeldhouwkunst --- Negative space (Art) --- Art --- Contemporary art --- Modernism (Art) --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Kinetic Art
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Sculpture as a specific medium is rarely investigated within a deeply cultural, philosophical context, nor within visual art itself. Whilst discussions about installation art, performance art, or other 3D art forms are widespread, the discourse on sculpture seems to be stuck in historical, material, or thematic frameworks. This is a loss for our understanding of art in general, and of sculpture in particular. In order to assess contemporary art practices, one should have a better understanding of the logics that are at work within sculpture as a medium, and how they differ from other art forms. Drawing from literature, philosophy, psychoanalysis and semiotics, Ernst van Alphen explores 'seven logics' of sculpture: the logic of inner necessity; the logic of narration; the logic of sculpting space; the logic of the solid; the logic of assemblage; the logic of architectural space; and the logic of the specific object. These relate to aspects such as the senses, the skin, the body, objecthood, narrative dynamics, the shaping of space, fragmentation, and montage. 'Seven logics of sculpture' opens up new ways of looking at, understanding, and appreciating sculpture, placing the medium at the heart of art's experience; how sculpture can be shaped, assembled, encountered, seen and embodied.
73.036/039 --- beeldhouwkunst --- beeldhouwkunst en architectuur --- architectuur --- twintigste eeuw --- eenentwintigste eeuw --- kunstgeschiedenis --- kunst --- kunsttheorie --- 73.01 --- Giacometti Alberto --- Bourgeois Louise --- Hovy Hans --- Szapocznikow Alina --- Tahon Johan --- Hesse Eva --- Christensen Jeannette --- Rodin Auguste --- Bernini Gian Lorenzo --- Hepworth Barbara --- Kobro Katarzyna --- Andre Carl --- Serra Richard --- Judd Donald --- Sandback Fred --- Nauman Bruce --- Whiteread Rachel --- Kirkeby Per --- Schouten Marien --- Vermeiren Didier --- Janssens Ann Veronica --- Clark Lygia --- Hammons David --- Kesteren, Maria van --- Lap Geert --- Bakker Aldo --- Choucair Saloua Raouda --- Kunsttheorie ; kunstbeschouwing ; beeldhouwkunst --- Beeldhouwkunst ; theorie ; kunstbeschouwing --- Beeldhouwkunst ; kunsttheorie --- Beeldhouwkunst ; 20ste en 21ste eeuw --- Beeldhouwkunst ; theorie, filosofie, esthetica --- Sculpture --- philosophy of art --- sculpting
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beeldhouwkunst --- sculpting --- Art --- Sculpture --- outdoor sculpture --- Maillol, Aristide --- Manzù, Giacomo --- Calder, Alexander --- Kirkeby, Per --- Permeke, Constant --- Vermeiren, Didier --- Bandau, Joachim --- Burden, Chris --- Gentils, Vic --- Lohaus, Bernd --- Wouters, Rik --- Ai Weiwei --- McCorkle, Corey --- Szukalski, Albert --- Bill, Max --- Bourdelle, Antoine --- Andre, Carl --- Wurm, Erwin --- Fabro, Luciano --- Graham, Dan --- Pompon, François --- Gargallo, Pablo --- Marini, Marino --- Reis, Pedro Cabrita --- Soto, Jesús Rafael --- Stockholder, Jessica --- Bijl, Guillaume --- Honoré d'O --- Klingelhöller, Harold --- Hepworth, Barbara --- Meunier, Constantin --- Schütte, Thomas --- Deleu, Luc --- Breedam, van, Camiel --- Arp, Hans --- Weiner, Lawrence --- Ulrichs, Timm --- Vandenhove, Charles --- Cragg, Tony --- Rodin, Auguste --- Gormley, Antony --- Signer, Roman --- Visch, Henk --- Snick, van, Philippe --- Moore, Henry --- Milles, Carl --- Laurens, Henri --- Muñoz, Juan --- Körmeling, John --- Mullican, Matt --- Duchamp-Villon, Raymond --- Genzken, Isa --- Panamarenko --- West, Franz --- Dodeigne, Eugène --- Open-Air Museum of Sculpture Middelheim [Antwerp] --- Atelier Van Lieshout [Rotterdam] --- anno 1900-1999 --- anno 1800-1899 --- anno 2000-2099 --- Belgium --- 73 <493> --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- Middelheim --- openbare ruimte --- kunst en openbare ruimte --- parken --- Gentils Vic --- Moore Henry --- Wouters Rik --- Rodin Auguste --- Bourdelle Emile-Antoine --- Meunier Constantin --- Arp Jean --- Arp Hans --- Maillol Aristide --- Bill Max --- Manzù Giacomo --- Gargallo Pablo --- Laurens Henri --- Duchamp-Villon Raymond --- Dodeigne Eugène --- Milles Carl --- Van Breedam Camiel --- Szukalski Albert --- Soto Jesús Rafael --- Calder Alexander --- Marini Marino --- Hepworth Barbara --- Permeke Constant --- Pompon François --- Weiner Lawrence --- Andre Carl --- Muñoz Juan --- Schütte Thomas --- Fabro Luciano --- Bijl Guillaume --- Kirkeby Per --- West Franz --- Mullican Matt --- Visch Henk --- Genzken Isa --- Atelier Van Lieshout --- Vandenhove Charles --- Cragg Tony --- Bandau Joachim --- Klingelhöller Harald --- Lohaus Bernd --- d'O Honoré --- Stockholder Jessica --- Ulrichs Timm --- Vermeiren Didier --- Deleu Luc --- Graham Dan --- Burden Chris --- Cabrita Reis Pedro --- Wurm Erwin --- McCorkle Corey --- Körmeling John --- Weiwei Ai --- Signer Roman --- Van Snick Philippe --- Gormley Antony --- 73.036/039 --- 7.078 --- Beeldhouwkunst. Sculptuur--België --- 73 <493> Beeldhouwkunst. Sculptuur--België --- museumcollecties --- Middelheimmuseum (Antwerpen) --- 069(493) --- Musea. Collecties ; België --- Openluchtmuseum voor Beeldhouwkunst Middelheim (Antwerp, Belgium) --- Catalogs --- Sculpture [Modern ] --- 20th century --- 21st century --- Outdoor sculpture --- Antwerp (Belgium) --- 73(493) --- Beelden buiten ; beelden in het park --- Museumcatalogi ; Antwerpen ; Middelheimmuseum ; collectie --- Beeldhouwkunst ; België --- O, d', Honoré --- Breedam, Van, Camiel --- museumcollecties. --- Middelheimmuseum (Antwerpen). --- sculptuur. --- sculptuur
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